As dreary as 1970’s And Soon The Darkness’ may have been, one thing you cannot escape is the ability it has to haunt you. It’s a familiar tale of tourists on holiday becoming separated, one of which ends up falling foul of something unpleasant. As human beings missing person’s cases trouble us, so the movie did play heavily on the minds of anyone who saw it. Penned by the creator of the Professionals Brian Clemens, and the inventor of Doctor Who’s Daleks, Terry Nation. Despite its emotional draw, and its uncharacteristic edginess for a British movie of that time, the film felt incredibly hollow, lots of pacing about and lack of substance, so it seems that the movie was perfect for a remake.
Continuing their stream of remakes Anchor Bay Films recent movie takes the story from the French countryside (which back in 1970 seemed alien and a million miles away) to Argentina. The story follows Stephanie (Amber Heard) and Ellie (Odette Yustman) as American tourists preparing to end their cycling holiday in the country. Just one more night separates them from returning to normality, but a night on the town and a rather over enthusiastic Romeo causes them to oversleep and miss their connecting bus. After an argument between the two of them breaks out over sunbathing, Stephanie heads off leaving her friend in a remote location, but when Ellie fails to catch up Stephanie returns to where she last saw Ellie only to find she is gone. While the local police try to convince her that Ellie has just gone off with others for the day, Stephanie is adamant something has happened to Ellie, and the hundreds of missing person’s posters around the town do little to dispel her concerns.
This 2010 remake starts with a lot of promise, there is much more bonding between the two girls, the relationship far stronger than in the original. Add to this we have a much more adapted story, you’re allowed to like Ellie before she disappears, or not if you’re that way inclined. For at least half the movie this feels like a far better product, so much more finished than the original but sadly that is where the improvements end.
No sooner has Ellie disappeared and you can feel the weaknesses’ in the movie. One minute you have this cast iron strong storyline, the next you get all these loose ends that are never ever summed up. Elation turns to disappointment as the movie just continues down a darker path than the previous movie. Whole new plotlines are created but never explained, and as the movie draws to a close you have considerably more questions than answers.
Amber Heard does a reasonable job of keeping most of her clothes on for once, and as leading actress (and Executive Producer) she does a good job of making a like-able heroin, she literally fills the boots of the part she is portraying, and that in any movie is not always an easy task. Yustman also performs well, realistic in her behaviour, endearing as the movies principal victim. The final addition of the principal cast is Karl Urban who acts well, with a hollow character that is up until his final appearance in the movie, when acting school skills seem to have failed him. Indeed of all the cast there are no missing links, these are all good performers, and as a result the movies weaknesses’ certainly cannot land at the door of any of the performers. The direction is also very capable indeed.
No the fault is in the scripting, and that point alone; having not been privy to the original treatment for the 1970 movie, and to be fair not that enamoured by either film to hunt it out, I cannot tell you if either version of the movie is more to the authors vision. What I can say is that a reasonable attempt at correcting failure is dashed here, so many cliché additions, so many open scenarios just waiting for a story to fill them.
After the end of a lengthy action sequence you feel relived, relived that the story is over and that you can at last move on to something far more promising.
While a better version of the movie as a whole, the story still lacks much and on this basis I’d actually rate it lower than the original, because at least the original feature was consistent.
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