The Dying Breed

Once every while a movie comes along that leaves such a punch in its final moments that its final message outweighs any other aspect of the film.

New Aussie horror The Dying Breed opens in a rather lengthy way, delivering an insight into four characters without really giving you a shred of information. Geared firmly at the character of Nina who has lots of meaningful moments, flashbacks and visions of events that occurred to her sister in a rural location sometime earlier. The movies characters all have headed to a strange backwater in search of the site of the mysterious Tasmanian Tiger, something that is as great a myth as Bigfoot. While Nina acts all weird and deep, the others all seem to share a mutual dislike for each other forming two parties. But as they feud, they all miss completely the tensions that surround them.

My opening paragraph may seem a little confused, but to be honest with you it all is pretty much, there are little explanations given as to why people are how they are, or why they behave the way they do; its all done in that way where the movies creators have tried to be on a higher intellectual plain than us mere mortals. The truth of the matter is, despite their best efforts its not very deep at all.

Now saying this, The Dying Breed is not a bad film, because what it does do is gather a couple of menacing factors and sticks them together. First up you have the issue of the Tasmanian Tiger, a creature that lives in isolation and is only rumored to exist, rumour suggests that the only reason its never been seen is because those that see it are eaten, and logic would tell you that such an illusive animal would be a little on the protective side to protect its lifestyle. The second and far more troubling is that back in the days of Australia being a prison one of the convicts known as Alexander The Pieman escaped and somehow managed to survive for a rather long time, well long enough to create some descendants, clue to his habits revolve around his nickname.

What you have in The Dying Breed is a good old-fashioned tale of Deliverance style locals and the wonder of cannibalism. The result of which, despite the producers best efforts to make the characters rather unlikeable; is quite a gross out movie offering filled with blood, gore and sometimes worse. Its all actually quite disturbing territory that harks back to the 1980’s video nasty era.

The punches are the basis of the movies success, because from the moment you enter the second half of the movie your transported into a variety of horrifically unpleasant circumstances, and disturbing visuals. Punch, punch, punch! Once the movie gets going its fairly relentless, characters are dispatched in continuously worse methods as it becomes apparent that the locals are clearly the descendants of The Pieman, and that Nina’s sister undoubtedly had some sort of nasty encounter with these locals.

The clear difference with this movie is that it packs two very big final punches one of which leads you to a false ending. And if that were not enough the text that appears onscreen just before the credits roll lead you on a wild and furious search online, because the story ends in such a way to make you wonder if the film could in fact be based on some true facts. And quite disturbingly, potentially it is.

Its grubby looking, broody, its empty on the character building front, but its actually pretty good entertaining viewing. And the sort of thing that keeps you thinking long after the credits roll. If nothing else it will give you some visuals to haunt your mind.

Zombies - Wicked Little Things

Released in the United States as Wicked Little Things, Zombies as it’s known on UK shores wowed audiences at the now popular After Dark Horrorfest, a weekend long American festival of 8 alternative horror movies. Despite the fact that it had such acclaim, it’s taken two years (having appeared at the 2006 Horrorfest) until the UK and Europe get to enjoy the movie. Directed by J.S. Cardone whose previous directorial works included the video nasty The Slayer (1982) and the gritty thriller A Row Of Crows, while his written work features in the movies Prom Night, The Covenant, The Forsaken and the upcoming remake of the 1986 classic The Stepfather.

 

After the death of a much loved father and husband Karen Tunny (Lori Heuring) and her two daughters Sarah (Scout Taylor Compton) and Emma are forced due to financial pressures to flee the city and settle in the woods of a small Pennsylvania community in a house Karen’s husband owned.  The house a traditional dwelling used by miners back at the turn of the 20^th century is in much need of repair, but offers solace for Karen; while Sarah takes a dim view of things, and Emma embraces the move. For young Emma a sweet 8 year old it offers a chance of new friendship in the form of Mary who to everyone else is just an imaginary friend. It seems however that Addytown’s newest arrivals have either caused or arrived at the time of a great awakening, things are about to become dramatically more chilling.

 

I first saw Wicked Little Things as it was then known about 16 months ago, and to be perfectly honest with you I got half way through and could not be bothered to proceed on, to me it was like every other low budget horror movie of the time and I was stacked under a heavy workload. Unbeknown to me was that at that very moment I lost interest and turned off the stories tone changed and effectively was only just the beginning. For an avid horror fan like me this was the place to begin a grizzly death of some animal stock takes the movie back to the sort of shock! Horror! We witnessed at the start of the 1980’s when so many movies were edited or outlawed all together.

 

While I won’t pretend that Zombies is the best horror offering I have seen this year I will say it has some great echoes in horror movie past that will undoubtedly appeal to casual and hardcore horror movie fans. While others have compared the movie to The Omen, a similarity I cannot see I’m reminded most of John Carpenters 1978 movie The Fog, there is a great scene where a group of teenagers are desperately trying to escape a group of killer zombie children in a car that’s back wheels are stuck in mud. The ambience of this moment are literally plucked from The Fog, but with one exception, the scene goes further and almost allows you to ask the question, what if Jamie Lee Curtis had not got that car started? What follows is probably one of the most harrowing scenes I have seen in an American horror movie for some time.

 

Ben Cross an actor best known from Chariots Of Fire and the BBC drama The Citadel plays a creepy hillside soothsayer for want of a better choice of words. The character of Hanks not only knows what to do, he knows what is going to happen, and while at first alienating the Tunny family with his creepy choice of wording and his spreading of blood to ward off evil; soon becomes the key to their survival, if of course they have any chance. Cross who is always around working, but never in anything most of us would probably watch does a sterling job as the movies oddball character. Although the movies villain role is taken by Martin McDougall as William Carlton, descendant of the Carlton mine and all that rests on the surrounding area.

 

Of our main cast Lori Heuring is pretty much a tool (no disrespect) of the movie, not essentially a needed part, the piece is lead by Scout Taylor Compton (An American Crime, Halloween) who as the teenage character of the movie most of the horror is endured through her eyes. Compton delivers a competent performance as the usual dysfunctional type character of the movie. Chloe Moretz (who back in 2006 was at the start of her career but is now pretty much an excepted part of Hollywood furniture) is the most watchable character, however because of child acting laws is dramatically underused in order to get the movie completed within a target time, overall a tragic mistake that may if it has not already cost the movie points in horror movie history offerings.

 

What was most enjoyable about the movie was the dark offing of children as the terrible force of the movies, now just Zombies these were the children of the mine nearly 100 years prior who feel not only wronged by events, but cursed in there vicious need to engage in the consumption of human flesh. These kids whom of course look sweet without the makeup are pretty darn scary, with their over emphasised teeth and their terrible lack of compassion, are genuinely creepy and with their bloody massacre at the mid section of the movie you are left with no doubt that these creatures are best not reckoned with.

 

Zombies is a movie you really need to stick with, and as I said earlier its first 30 minutes or so are hardly going to endear you to the piece. But if you have the patience a small pot of gold lies at the end of this rainbow, and judging by horror releases over the last two months this isthe best choice of salvation.

 

Released in the UK on the Momentum pictures label on the 21^st of July, the movie has a short featurette as a special feature called Wicked Little Zombies, this feature shows you a glimpse behind the scenes and discusses the immense pressure of filming a movie with children, especially ones that have enough experience but are still young enough to pull off the terrifying performances effectively. Zombies is released with an RRP of £15.99.

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